Choreographic acts of resistance. Performance, 15.9.2022, Henry Crown Plaza, Jerusalem Theater, The Israel Festival

Eviction

Evictions take place almost every day, be they financial, military, criminal, or political evictions. High-profile publicized evictions or quiet ones that take place in the dead of night. Either way, it is always a group standing against the powers that be. People who lose their home.

Eviction turns a spotlight on this critical moment, in which a group of people refuses to evacuate a building, and a political force is sent to evict them. This violent encounter encapsulates layers upon layers of injustices, oppression, rage, pain, and indifference. For the defiant group, this is a time of solidarity and of togetherness that can solidify, strengthen, and create new forms of resistance. And it is always only the tip of the iceberg of phenomena, of economies, of regimes, and of much larger world mechanisms.

Through a composition of movement, architecture, video, music, and documentary sound, we will experience moments of eviction on a 1:1 scale. We will unfold the choreography of the eviction – from the barricaded group’s side and from the evicting forces side. How the state moves, how to protect your home.

Eviction uncovers the mechanisms of evictions, bringing to the fore collective experiences and images from past evictions, and wishing to prepare for future evictions. The procedures it presents expose the preparation, tools, and means used by all sides, the techniques and knowledge, things carried out in our name by law enforcement agencies, and the ways in which you can become a defiant group, reminding us that the human assembly in the public space has a huge, radical, vital potential.

Concept, direction, choreography: Omer Krieger
Production: Yael Cohen
Dramaturgy: Itai Doron
Performers: Meitar Arieli, Eyal Bromberg, Mica Kupfer, Yulia Mezhetskaya, Rima Naser Eddin, Shai Ramot Reichert, Tal Raviv, Nadav Sharon
Movement Choir Members: Noa Avraham, Ziv Bar David Varon, Naomi Bloch Fortis, Hadas Duchan, Estee Du-Nour, Adi Gordon Rawlings, Aviva Hahn, Mazal Kaufman, Avily Levanon, Vered Levy Unger, Yael Maayan, Noa Oron, Iris Ostfeld, Yael Pshetatzki Romm, Rebecca Rouxel, Sheer Sivan
Sound Design: Binya Reches
Space Design: Yonatan Auron Ophir
Costumes: Tamar Ben Cnaan
Video: Yair Moss / Chen Wagshall
Rehearsal Management: Shani Granot
Photos: Tomer Appelbaum
Israel Festival Artistic Direction: Itay Mautner and Michal Vaknin.

Shura

Roee Joseph The mission of identifying life. A play based in reality

Written and Directed by: Roee Joseph
Assistant Director and Producer: Mor Hasan
Set Design: Zohar Shoef
Elements Design: Ariel Tal Arbiv
Costume Design: Danielle Kaplan
Sound Design: Nir Jacob Younessi
Lighting Design: Yair Segal
Dramaturgy: Itai Doron
Artistic Accompaniment: Dr. Erez Maayan Shalev
Writing Support: Jason Danino Holt
Movement Accompaniment: Nava Zuckerman
Choir Instructor: Idit Eshel
Actors: Shachar Netz, Morad Hassan, Eyal Nachmias, Naomi Oren, Uri Dov Joseph Blufarb, Dorit Dora Shalev, Ilan Zacharov, Yuval Kenin Nachmias, Roee Joseph

Shura is a deep, poetic, honest and sometimes funny observation about hardship. Shura understands that in order to bury something you need to know what it is. Shura is a brave and exposed attempt to allow us all to understand what was there, and, perhaps, to put it to proper rest.

Her Father’s Daughter

A daughter asks her heroes how to endure life and make it through

Created & Directed
Netta Shpigelman

Artistic Accompaniment
Alit Kreiz

Video Design & Performance
Yaara Nirel

Stage & Costume Design
Yael Yula Igra

Sound Design
Nir Jacob

Youngest Lighting Design
Rotem Elroy

Matan Preminger

Dramaturgy
Itai Doron

Netta Shpigelman is a phenomenal actress: she stars on stage, in film, on TV. She is also the daughter of Elisha Shpigelman - a prominent reporter on the renowned Israeli Broadcasting Channel One who fought for social justice and equality. Throughout her life, she held the subtle understanding that she too should aspire to heroism, which led her to want to become a consummate actress.

However, it was the five months she spent by her dying father’s side that became the masterpiece of her life. Now, with her four-year-old daughter beginning to ask about Grandpa Elisha - whom she never got to meet - Netta is searching for a way to bring his complex character to life.

  • In collaboration with Tmu-na Theatre

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